Sanctumel Radio & Live

Your live stream lasts an hour. The rest of the week is silence.

Going live on a social network is an event: it starts, it ends, and in between nothing happens. An antenna runs. Your playlists broadcast all week, and Sunday's microphone simply takes over.

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The on-air consolewhat is broadcasting now
LiveOn air
Automatic grid
I will praise the Lord
Playlist "Morning worship"
The grid broadcasts on its own. Take the microphone and it pauses by itself; switch it off and it resumes where it was.
Sunday's gridscheduled ahead
08:00Morning worshipAuto grid
10:00Sunday serviceLive
12:00Messages and jinglesAuto grid
18:00Prayer vigilAuto grid

The three sources, the one-source-on-air rule, the automatic pause and resume of the grid, and the microphone lock with its message all exist as shown. The titles and times are examples.

Off air

The live stream lasts an hour. The station does not stop for the rest of the week.

The antenna

A radio station does not switch on, it runs

On Sunday at eleven, everybody is there. On Tuesday evening, the person who can no longer travel has nothing to listen to, and neither does the one living six thousand kilometres away. A weekly livestream does not fill a week.

A schedule, not a button
You programme slots: a playlist in the morning, messages at noon, a vigil in the evening. The antenna broadcasts with nobody sitting in front of it.
Your playlists, your jingles
The library takes your recordings, your messages and your jingles; you group them into playlists ready to go out.
And the slots reserved for live
A Sunday morning slot is marked as live: the grid knows it must step aside, and the listener sees what is coming.
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The control room

Two sources at once, and your listeners hear mush

It is the classic broadcasting accident: the playlist is still running when the microphone opens, and both go out together. You find out from a listener's message, ten minutes later.

One source on air
The rule is enforced by the product, not by your vigilance. You take the microphone: the grid pauses. You switch it off: it resumes on its own.
The microphone or your gear
Broadcast from the browser, or connect the desk and the OBS feed you already use for video. The live show leaves from the same place.
And the message says what to do
When a source is locked, the screen does not simply grey it out: it names the one on air and what to stop first. Nothing to watch over.
Listening

Tuning in should be easier than finding the link

Half of a livestream's audience is lost before arriving: the link is in a message from three weeks ago, the video asks for an account, the app wants installing. Every obstacle costs listeners who had already made the effort to look.

One link, and it plays
The antenna is heard from a browser, on a phone as on a computer. Nothing to install.
What went out stays
The recordings in your library remain available: whoever missed the live show did not miss the message.
In your colours
Your antenna's name and your church's logo: this is not a platform's radio, it is yours.

What Radio & Live does, and what we will not do.

Audio broadcasting is a field where more gets promised than delivered. Here is the line.

What Radio & Live does
  • The audio library - recordings, messages, jingles - and the playlists built from it
  • The programming grid, with its automatic slots and its slots reserved for live
  • Live from the browser or from your own gear, with the one-source-on-air arbitration
  • An antenna in your name and your logo, heard from a plain link, with no installation
What we will not do
  • Settle your music broadcasting rights: what you put on air is a matter for your licences and your licensing body, not for us
  • Replace a mixing desk: we take what your control room sends, we do not mix in its place
  • Promise you an audience: we provide the antenna, not the listeners

Schedule next week.

Upload three recordings, make a playlist, put it on two slots. On Sunday, take the microphone: the grid will step aside by itself.

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